Aktiophis

The Veritable Key of a Solo-Man

  • My last post was about the Sun and the Moon. I have some more I want to say about the Sun. It’s a planet I’ve worked with a lot for a good part of the year, starting with a solar uncrossing I performed back in May.

    The Sun’s attributions in magic are wide ranging, but can be sort of summed up by the Sun’s ability to illuminate and empower. Wealth, honour, health, success, and truth are all Solar. Also invisibility in some Grimoires!

    One of the things I have noticed while doing solar work, is its impact on the Aura. The Aura isn’t something you really see mentioned in the Grimoires, but nonetheless I have found a number of Solar workings I’ve performed, i leave them with the distinct sense that my Aura has been somehow empowered. It’s a weird sensation of the edge of your senses being not in your body, but around it.

    A pendant of the Sun tarot card (nothing fancy, just a simple pewter thing from a metaphysical shop) that I empowered has specifically given this effect.

    I’m not one for dogma per se, but I think that the Qabalistic associations of the Sun are telling in regard to its balancing and regulating effects energetically. Tifereth is the sephira which is associated with the Sun. It’s paths connect to every sephira except Malkuth, sits in the middle pillar (the balancing principle between the pillars of force and form), and is the lower emanation of Kether.

    It’s role as a mediating and balancing agent seems to follow from this, or maybe vice-versa. As such, solar workings not only empower the aura, but seem to have some sort of regulatory effect.

    Beyond just a sort of fuzzy energetic feeling, I’ve found this has translated to improved confidence, and reduced worrying. I also have found that in general my fortune day to day has been better.

    I’m kicking myself a bit that I didn’t consecrate anything special in Leo season. Scrubbing through the space weather, it seems most planets are a bit shit at the moment, so maybe it isn’t meant to be.

    For now, I’m going to keep up the simpler, day to day stuff.

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  • Many people who read this will be familiar with the seven classical planets – the fundament of a great deal of the western magical and esoteric spiritual framework. From them we get astrology, orders of angelic and daemonic spirits, and even more mundane things like the days of the week.

    Foremost of these we find objects which are not even considered planets in the modern sense – the sun, and the moon. Even in non-astrological magic, the motions of each of these are often considered to determine auspicious times.

    I think in terms of a magical practice, the two of these can be used to cover a great deal of a practitioners magical needs. The sun can be used for a number of things itself, such as success, honours, health, purification. The Moon similarly casts a broad net covering dreams, the unconscious, and has been used in spells for love, as well as broadly for increase or decrease generally. I would also suggest it for spells involving travel, especially international travel over a body of water (Mercury I would say more generally for travel, but boats especially the Moon’s ocean connection lends itself to this).

    On the Moon in particular: both luminaries are looked at closely when picking astrological elections, but the Moon is always given special attention. Applying aspects with the Moon are important for picking magical elections, as well as the condition of the Moon – the moon being “void of course”, or not making applying aspects to a planet before leaving its current sign, is often considered unfavourable.

    Then considering also the 28 lunar mansions, we see a whole extra dimension for potential magic.

    The Sun can’t be underestimated either, in its performance or efficacy. Astrologically, positive aspects to the Sun are generally beneficial. Conjunctions with the Sun, interestingly are generally unfavourable. Within about 15 degrees of the Sun, planets tend to disappear from physical view, and the ancients interpreted the impact of this accordingly. The effect of this intensifies the closer the object is to the Sun, until an exact conjunction.

    This condition (“Cazimi”) greatly empowers the planet. it might be the single most auspicious position I’ve come across, as for that brief moment, the planet is unified with the full force of the Sun, the brightest object in the night’s sky.

    Personally, I’ve had a lot of success with both of these planets on their own, probably the most of all of the classical planets. I’m interested to know others perspectives on this, as the Moon and the Sun are the two most dignified planets in my natal chart.

    As I get older, what I would consider the power of image has become a more important part of my practice. I’m making an effort to include more solar imagery around me and on my person. I have found it very helpful on the whole, I might write more on the topic at another time.

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  • It’s been a while since I’ve posted, and I am trying to get my thoughts down on paper more regularly (or like, silicon I suppose). One of the things I’ve been practicing more regularly is tarot, but more broadly cartomancy generally. I see a lot of resources that discuss divination with playing cards that basically reduce playing card divination to just using the assigned meanings of the tarot cards, sort of merging the pages and knights into the jacks, and scrapping the major arcana. I think for someone who is just trying to perform on the fly divination when they don’t have access to their tarot deck, this can be more than sufficient. However, in my experience it is neither the only way to read the cards, nor even the most common.

    For starters, most resources will tell you that each suit in tarot maps cleanly onto a suit in the playing cards; Hearts are Cups, Spades are Swords, Clubs are Wands, and Diamonds are Earth. In many traditions this is the case, but I have seen a few where it is not. For one, Etteila assigned wands to diamonds and coins to clubs. The method of playing card reading I first learned also used a different system; Hearts would be more like tarot’s cups, and water. Diamonds were fire, and would read more like wands (interpreted usually as some kind of power, influence, or energy. I think this sort of has a different underpinning philosophy versus tarot’s coins for wealth). Spades, the card of difficulty, instead of being mapped to air, are earth, but nonetheless would be best associated with swords as they deal with illness, delays, harm (think swords into plowshares). And then clubs, which deal with work, communication, action, and movement, are air.

    These different assignations are quite interesting, to me anyway. I mentioned that the elements being assigned to the suits don’t really line up with tarot, and to my mind this underpins some interesting philosophical/structural differences in the overall decks.

    The suit of swords is one such example. In the tarot, swords are assigned to air (a few systems use fire, but very few). The suit of swords deals with difficulty, delays, pain, and defeat, as well as truth. One of my early qualms with this assignation was that traditionally air is considered to be the element of the Sanguine temperament. Jupiter was considered an airy planet, and was jovial and expansive in nature. Hardly qualities of the suit of swords. The justification always given (I’m not the first to ask), was that the suit of swords embodies a specific kind of air, and that the association of air with truth and the mind is where a lot of the pain comes from. For instance, in the three of swords, the pain of heartbreak can only come about where the truth of a bad situation has uncovered. Equally in the nine of swords the anxieties are often all in our own heads.

    I’ve come to terms with the system, and I don’t believe it’s wrong any more than any arbitrary set of symbols used to predict the future, but the reconciliation of that to other decks and systems has made me consider it this way: in the same way that a card is a layering of multiple complex symbols (e.g. 3 of wands is fire, threeness, jupiter’s decan in aries, Saturn/Binah Qabalistically, and in my opinion considering it and the other threes with the empress and the world1), I think it isn’t necessarily correct to equate the element to the suit. As in, wands represent action, strife, victory, and they represent this in the mode of fire which is hot, passionate, destructive and transformative. Equally, the suit of swords is painful because swords inflict pain. Their assignation to air colours this and among other things brings mental, social, and other airy aspects to the suit.

    Differences like these are useful to keep in mind comparing the systems – many cards you will still see parallels even in playing card systems not directly linked to tarot. two of hearts and two of cups often mean very similar things, for instance. And as much as I love tarot, I think it’s useful to know a handful of methods for trying to coax out spooky info from the aether, and different systems also will often give similar answers with different perspectives.

    For the reader: I really do recommend branching out into different styles of divination. If not playing card reading, Geomancy is another form of divination which I am very fond of,for instance. Tarot is a great well of information, but you will see the benefit of learning multiple. No hard in trying a few, lenormand decks are not expensive, geomancy can literally use dirt and a stick, bone/charm throwing could literally be bones, stones, and charms. There’s a whole world out there to be a crazy person with!

    1. If you haven’t tried it, I really do recommend this exercise for all the minor cards. get all the cards of a given number out. Let’s say 5s as they are a good example. Then get out the tower, the card of Mars, whose number is 5. Then get out the fifth card, the hierophant. considering all of these cards together can really highlight things in the pip cards when you are learning. You’ll notice that the cards which have mars influences often tend to be more baleful than the others. Pretty much every five is a write off and deals with some form of suffering or pain.
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  • I’m no newbie to the LBRP, but to be honest until maybe halfway through 2024 I completely sidelined a lot of my magical practices (barring the occasional geomancy chart or tarot draw or whatever, or the odd bit of veeeery minimalist magic). I’ve recently felt the pull to re-engage with my spirits insomuch as I can. One way I’ve been doing this for the past few weeks has been trying to implement the LBRP as a daily practice. Do I think it is the panacea many people believe it to be, the only ritual anyone need know? Of course not. Is it a simple and yet effective format? Yes.

    The LBRP is one of those things which is simultaneouslt omnipresent and yet also probably not practiced half as often as people would let on. I think many people have done it at least once, but I also think many people do it not many more times than that. For some the format just doesn’t appeal for them, certainly for pagans and Wiccans and anyone else not necessarily in love with an Abrahamic cosmology there are some obvious aspects of the structure which might not sit right with them. And yet I think that something of the skeleton of the practice does work its way in to many of these circles.

    Lots of people have reskinned the absic principle with their own Godnames, substitutions for the Archangels etc., for better or for worse depending on your perspective. I’ve done it myself at one stage or another. There is something about the LBRP though which I feel comes across as unfashionable, especially to a new practitioner. For the witchy types, again the judeo-christianness of it all isn’t much appealing, so as a tool it might never even cross their radar, instead opting for other tools to do the same thing which fit their genre of magic. For ceremonialists or magician types, although having its own logical consistency and being applied within GD workings of older texts, it isn’t inherent to them and in that sense may feel superfluous.

    I might write about other aspects of it at some stage, but one of the big foundational aspects of this and similar rituals is assignment of the elements to the directions. To some the directional attributions might seem arbitrary, particularly because in the Lesser Ritual of the Hexagram uses a totally different set of directions. However, the ritual has a fairly sensible logic to it that I don’t ever really se expounded upon (or at least I had to figure it out myself, it may well be in one of the old books I’ve never taken the time to read).

    Logic of the Directions

    This was for a time something I took unreasonable issue with trying to figure it out, however the logic of it is in actuality quite straightforward. The four classical elements are contrasted from each other in a number of ways in Western occult practices.

    Many people are familiar with the two axes of Hot-Cold and Wet-Dry, with each element having one of each, e.g. water is considered cold and wet, and fire hot and dry. Notably this extends beyond just physically what you can expect them to feel like and into more abstract terms, with heat really being more an analog for naturally expanisiveness, active nature, and in a gendered binary, the male force. Cold on the other hand corresponding to the passive, receding, inward looking, and the female. Probably best to view the masculine-feminine associations sort of like male and female in terms of cables and adaptors because to be honest that seems to be all that is meant.

    As well as this, there is another level to this which is tying the elements to different levels of subtlety/density. You can see part of this in the various practices. Agrippa (and I would say most magicians/witches) consider fire to be the most “spiritual” element, with (citation needed) Agrippa writing that the mundane fire on Earth contains within itself an aspect of divine or celestial fire, and this being a bane for a number of spirits. On a more practical level you see this in the various bonfire rituals such as those held at Samhain where fire is used for exactly that purpose. In a biblical sense we also see fire strongly associated with the Christian God, in the burning bush of Exodus, as well as (also in Exodus) as a pillar of fire.

    I might write a bit more on the elements just to summarise what I know in one place, but for the purposes of this I’ll rank the four from most to least subtle:

    • Fire: The most subtle element as discussed above. The most expansive, bright/luminous, and also the only element which is not self sustaining in the way that the others are.
    • Air: Note that the hot elements are considered more subtle. Air is primarily wet with its secondary aspect being hot, so it is placed the next down, also being less bright.
    • Water: The other “wet” element. Considered along with water to be one of the “translucent” intermediary elements, allowing light to pass through it but generating none of its own. Also physically denser than air.
    • Earth: The naturally most “earthly” element. Heavy, the only one with a naturally solid nature, and considered the darkest element. You would do well to note that the pentagram drawn in the standard LBRP is a banishing pentagram of Earth, which I feel serves the purpose of clearing out astral detritus at the closest part of the astral.

    There are a lot of other reasons and justifications you could make, but a simple way of thinking of it is in terms of density. Water sits atop earth, air above the water, and fire (e.g. the sun and stars) above that.

    What do these have to do with the directions, you ask?

    Ye Bigge Sundial of Arte

    I mentioned that the ritual of the Hexagram uses different elements for the directions. The TL;DR is that it uses astrological attributions from the four fixed zodiac signs, but I sort of think that both systems use a form of astrological correspondence to an extent.

    In astrology, the ecliptic is the circle made by the apparent motion of the sun through the year, divided equally into twelve signs. For the Hexagram, using a zodiacal system makes sense because the ritual is used to invoke and banish planetary influence. Less so for the Hexagram. However, there is another aspect of astrology we can draw parallels to for the LBRP: the 12 houses (and also the ascendant and midheaven which are strongly related). These things are all much more microcosmic in nature – they are connected not to the cycle of the year as the Zodiac and ecliptic are, and not so macrocosmic, being instead related to the cycle of the day, and being strongly tied to the specific place a chart is cast; an astrological chart cast on the same day will have identical planetary positions in the zodiac (give or take maybe a degree or two for the moon I think? I think there is some parallax thing going on there due to its proximity), but the ascendant, descent, and upper and lower midheavens will vary considerably by location.

    The Ascendant – East – Air

    For those unfamiliar with astrology, the ascendant is the point along the Eastern horizon where the sun and all other astrological bodies rise up from, either at the start of the day or just whenever that happens to be for non-Solar objects. This is assigned Air in the LBRP, and I think considering it as the second most subtle of the elements,, being hot and of an expanding/rising nature), the direction where the day begins and rises, is increasing in brightness and heat, etc. is a natural place for it.

    Midheaven – South – Fire

    Moving clockwise we reach the South. Clockwise around the astrological Chart, we reach the midheaven. The midheaven is the highest point the Sun reaches in the day (and also any other planets), and so is associated with Solar Noon. Fire naturally belongs here, being the brightest and hottest of the elements.

    Descendant – West – Water

    I think at this stage it becomes self evident the logic of the directional attributions, but at this point we now see that in the same way as air rises up, water falls down (like rain). I think also of all the elements that water in the west has always made the most intuitive sense to me.

    Lower Midheaven – North – Earth

    This leaves us with Earth, in the North and with the lower midheaven. This time corresponds to midnight, the period when the Sun is as far below the horizon as possible (and also when it is physically beneath the Earth, and yourself, from your perspective).

    I don’t know if the astrological link is maybe too much for most people and if people are just happy to accept the time of day logic – but I think for me the South and North attributions never seemed totally clear as to the logic for why one over the other without this, and I think this framework gives sufficient explanation for why, although even just following the circle clockwise will get you there also, but I think the astrological aspect gives a nice tie in to the Hexagram ritual, and particularly the micro-and-macro cosmic natures of each of these rituals.

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  • I’ve been thinking a lot lately. I’m not one for regularity or sticking with things that involve writing (self-evidently), but regardless I have found myself drawn to it recently. I think maybe just to get my thoughts out of my head and onto a page/web-page.

    There are a few things influencing me this way. For one, Gordon White’s death a few months ago. I’m not really involved in any occult circles and have never met him (or really any magician, to be honest I haven’t felt overly connected spiritually to very much very frequently for a while). But it was an odd thing to find out he was gone. I feel as if the past few years have come with the deaths of a number of popular occult authors, not least Jake Stratton-Kent but also Peter Carroll. Makes you wonder. Wonder what I’m not exactly sure, but on some level I feel like I knew them. Not that I engaged with them online or in-person, but I suppose there’s something about occult authors: I think on some level I have always assumed they are already dead when reading their books because I scarcely have any context for what age they are. But then when I find that they are alive some part of me then assumes they will never die.

    Gordon in particular was an early influence for me, in a wide rather than deep way. He was one of the first sites I came across, my first proper introduction to sigils (which I am ever grateful for because it was before a sigil became just sort of doodling (which it is but not like THAT, he says)), and it felt at the time (maybe early 2010’s), that he was one of the few chaos magicians that still existed. Before him Chaos magic existed in the archeological webruins of chaosmatrix.org. If anyone ever happens to read this and knows who owns that site please let me know – I have no idea what witchcraft is at work for that site to have remained unchanged on the modern internet, or who even pays to keep it up.

    I think another reason, though, that this has pre-occupied me is I don’t know any new occult authors who interest me. I would fear for occultism except that I think it’s more that people just aren’t writing anything I specifically need to read, or I’m currently at a point where reading isn’t what I need to do, as nice as it would be for me to be able to just sort of read some magic words and have that solve all my problems.

    Tied to this is where I feel I am in life. I left my old job (which I hated) a few months ago, but what I thought would be strengths of the new job, namely less stress, being back office, quieter and more consistent work, have made me hate it. I miss a lot of the individual pieces of the old job. Although in all honesty I’m not convinced the entire field is all that for me. I feel somewhat that I’m at sea without a map. Not in a storm, or in the calm of a storm at the very least. But with no purposeful wind to power my sails.

    The past three years there has always been a drive. Albeit a drive to get through my graduate contract with my employer and then leave. I guess I need to find the next thing. The issue being here though, on the magical level of it all – how do I enchant for something when I don’t know what I want? And that funny enough is how we arrive back at Gordon White – I sigilised a “shoal” (well not really but I considered doing that and did something a bit different) for specific things I would like in a job. I just hope I can find the balance of opportunity, interesting work, and stress-levels. Because so often it seems like a pick two situation.

    I am no adept, and lack the experience, knowledge, and reach of Gordon, but I think the reason I came back here to write is because of him. Thanks, for inadvertently helping me think.

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  • About a month ago now, I received my first rigid-heddle loom, an ashford sample-it. I had reservations on the 16” size as I was worried it would be too small. Although that is definitely on the smaller end of looms, in retrospect having set it up I actually don’t think i could feasibly have used the larger one in the limited space I have currently – it’s huge! At least compared to what i thought.

    Setup was very simple (not surprising as there aren’t many parts and a rigid heddle loom isn’t overly technically complicated). One thing I would say is that the instructions mainly show a normal hand screwdriver, and this is more than sufficient, but if you have an electric screwdriver then it makes an already quick setup even quicker. I would note as well that the loom does not come with either a screwdriver or beeswax polish, and both of these are used/recommended in the setup process. That’s part of the reason it has taken so long for me to set it up, waiting on the wax to seal the parts.

    I have yet to use the loom as there isn’t much space to sit and set up the warp (the loom comes with a peg and clamps for direct warping, which seems an awful lot easier than using a frame, but we’ll get to that someday I’m sure.

    Weaving may likely be more of a summer hobby given the way work is likely to be for me this year, but before then I’ll hopefully have some time to mess around with it (the work going on in the house has made space limited as a big chunk of the ground floor has been inaccessible, i haven’t got a swift and the dining chairs are in storage so yesterday I had to wind three hanks of yarn into balls with the yarn tensioned around my legs, which although rustic and vaguely historical feeling does end up being quite a pain). The yarn is the Bloomsbury DK by the yarn collective, a lovely merino wool that i really haven’t seen many people post about. I am a bit annoyed about the fact that it’s only available from lovecrafts.com, but that yarn has never failed me on quality, and I’ve used it to make a number of items now. I’m a particular fan of the colours, which tend towards jewel tones, and the sort of slightly variegated look from the dying process adds a lot of character. There is a lovely emerald green colour I’m very fond of in particular.

    Come to think of it, it seems the other yarns offered by the Yarn Collective are no longer available – I’m hoping hey become available again soon, although on another level I worry because I’ve seen a few brands vanish over time. In all honestly I’m considering buying a few more hanks, particularly in this lovely rich red.

  • Finally! After a decently long wait, my first loom has arrived. It’s a relatively small loom, but for a beginning weaver, I’ve been assured it’s sufficient for scarves, placemats, table runners, so I’m taking that at face value. If I enjoy this, I might break at get a 4 (or 8) shaft loom for working more complex twill patterns. Despite having yet to weave anything, I have somehow managed to become frustrated with some of the limitations of rigid heddle weaving vs multi-shaft loom setups. Perhaps i will focus on being able to make a decent plain weave before worrying too much on that.

    Frustratingly, the kit arrived and step 1 was to sand and polish the pieces, and the kit does not come with anything for finishing the wood. So, I’ve taken to eBay and will need to wait yet another few days before I can start weaving.

    Hopefully I’ll have something to post that’s a bit more involved after this polish arrives, but admittedly work is getting very busy so it may be a while before I get to look at it again.

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  • I’ve never really been one to intertwine my fibre-crafting with my magic – very often I’ve found the resources that do (beyond the basic knot spells) either take it all far too seriously or not seriously enough at all, at least for me. I believe it’s interesting to read about the role that spinning and weaving plays in myth, but so often I see a lot of frilly prose about the Norns and sanctity of craft and all that, stopping short of any much magic at all being worked. I think the cause is maybe two-fold. On the one hand, being well acquainted myself with hopping from one hobby to the next, I have an inkling that perhaps sometimes this is because people jump into a hobby and underestimate the amount of practice it takes to make anything worth using. On the other, I think it can be hard to find an actual use for the things made.

    I don’t spin myself (unless you count browsing drop spindles while ignoring active knitting and crochet projects. Some day.), but it’s all well and good to spin a small quantity of yarn from natural fibres, but if you don’t knit, crochet, weave, nalbind etc., what exactly is the use of the yarn you’ve spun? Perhaps you could get a lucet and make cord or learn a craft to use the yarn in, but the issue remains.

    Honourable mention: magicians and witches are material snobs, and good yarn from natural fibres is either expensive (especially for a beginner), or too difficult to make by hand (see the above re: spinning), so on top of deciding to learn the craft, you’re doing it with an inherent aversion to making anything from a cheap acrylic yarn. I don’t tend to use acrylic for anything that will be worn, or indeed for most of my projects that will be used/worn (the exception being blankets, and I’ve yet to finish more than one of those, and it was actually made of wool anyway so the point is sort of moot), but I still have some and it is probably the best fibre to learn with because it’s cheap and comes in lots of different colours. Plastic however, is not generally something magicians like, and witches and pagans are likely even more against it due the environmental factors. But perhaps enough on this, I might soapbox on this another time.

    All this to say I’ve started drafting some simple colourwork patterns: just two-colour patterns of things like magical squares or a labyrinth glyph, with the aim of making them into either crochet tapestries or blankets. So far, other than the labyrinth, I’ve made a simple pixel art SATOR square. I’m tempted to try that one as a corner-to-corner blanket for fun. The next would be the planetary squares, and I think understandably enough I’ll start with Saturn and work down.

    Not sure if any of these will become used in any practical way, but I’m treating this more as a way to get into drafting very basic patterns (pixel-art style), and after a cursory search I wasn’t able to find what I wanted for the most part.

    Part of me is interested int he idea of figuring out how exactly to make an illusion knitting pattern and charting the squares on that, but I would need to figure out how to knit that way in the first place I think.

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  • So, for anyone who ends up finding this post, i think this may be the umpteenth time I’ve started a blog. May go nowhere, may not. I think the difference this time is what I’m looking to get out of this blog. Previously when I started blogging I was looking for a way to make passive income out of it, and each time I seemed to forget that in order to make money from it I would have to a)be writing about something other people would want to read about enough to drive clicks, b) Be willing to invest time and energy not only writing about whatever the topic was, but in doing SEO and all that rubbish to make sure my site would appear in searches. Frankly, I don’t know if anything I do is of interest to other people, and in many ways I don’t really care anymore. I have a job for earning money, and as much as it gets in the way of the things I enjoy doing, I at least value that it allows me to spend money on these things.

    So, I’m not set on what I will post here, and at the moment not too concerned on the whole either. I’ll maybe post occasionally about whatever fibre-craft project I’m working on, potentially with less-than-artful photos of said project. I might take a notion to type something out about something to do with astrology, astrological magic, Hecate. This site is hopefully going to be for me a record I can look at, and if anyone else finds it and enjoys the posts, all the better.

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